[...]Mirzoev’s film, [...] has brought the tragedy into a contemporary setting while retaining the original script. The film begins with scenes of modern details: political figures in business suits, Shuiskii talking in a Mercedes, Pushkin making an announcement on TV, and committee members meeting against the backdrop of glittering skyscrapers. Sometimes, though, the contemporary setting evokes anachronistic awkwardness, for example, an illiterate soldier reading text messages on an iphone. While such scenes produce discordant effects between the lines of the past and the modern setting, they also offer a new texture to the traditional text.[...]
Kiun Hwang, rusfilm.pitt.edu