Kinoglaz

 

Diary of events

- Stop Press

On current release

Festivals

 

Films

DVDs

- Watch on line

Names

Articles

Production

History

Seminars


Bibliography


Ongoing events

 

Awards

Box office

 

Statistics

 

Partnerships

 

Site map

Links

Contacts


Search with Google    


A B C D E F G H I J K L M N O P Q R S T U V W X Y Z  Others 
Titles and names in bold print contain more complete information
Daniil ZINCHENKO
Даниил ЗИНЧЕНКО
Daniil ZINTCHENKO
 
Russia, 2015, 80 mn 
fiction

Elixir

▪ ▪ ▪ ▪ ▪ ▪ ▪

Эликсир

 

 Elixir

 Elixir


 
Directed by : Daniil ZINCHENKO (Даниил ЗИНЧЕНКО)
Writing credits : Daniil ZINCHENKO (Даниил ЗИНЧЕНКО)
 
Cast
Aleksandr GORELOV (Александр ГОРЕЛОВ)
Nikolay KOPEYKIN (Николай КОПЕЙКИН)
Grigori SELSKIY (Григорий СЕЛЬСКИЙ)
Sergey FROLOV (Сергей ФРОЛОВ)
Viktoria MAKSIMOVA (Виктория МАКСИМОВА)
Dmitriy ZHURAVLEV (Дмитрий ЖУРАВЛЁВ)
 
Cinematography : Aleksandr TANANOV (Александр ТАНАНОВ)
Production design : Anastasia NEFEDOVA (Анастасия НЕФЕДОВА), Yuri SELSKIY (Юрий СЕЛЬСКИЙ)
Editing : Daniil ZINCHENKO (Даниил ЗИНЧЕНКО)
Produced by : Gleb ALEINIKOV (Глеб АЛЕЙНИКОВ), Tikhon PENDIURIN (Тихон ПЕНДЮРИН), Andrei SILVESTROV (Андрей СИЛЬВЕСТРОВ)
Release date in Russia : 24/04/2015
 

Plot synopsis
A man in a white robe stands in a swimming pool guarded by men in black sunglasses. They are reminiscent of bodyguards. One of the besuited men enters the water and pushes the man under the surface, over and over again: a baptism, an initiation rite or torture? The water turns black. Shortly afterwards, you see the man disappear among the trees, two soldiers from the Zayovsky Squadron propping him up. This film could be set yesterday, today or tomorrow; its characters seem to be outside of time. They are archetypes of Russian mythology and stories that embody their homeland’s various extremes. A forest in the marshes offers them sanctuary. Via a messenger who knows the labyrinthine pathways, they communicate: the partisans, the cosmonaut and the scientist, who wants to brew the elixir of immortality. But another elixir also plays a role. Perhaps the man in the white robe is actually Jesus, and the black liquid he has left behind in the pool is actually oil. Is this grotesque game of citations and archetypes perhaps more than just a fairytale, but also a parable on present-day Russia?
 

Selected in the following festivals :
- Berlin International Film Festival : Berlinale, Berlin (Germany), 2016


Your remarks