Kinoglaz

 

Diary of events

- Stop Press

On current release

Festivals

 

Films

DVDs

- Watch on line

Names

Articles

Production

History

Seminars


Bibliography


Ongoing events

 

Awards

Box office

 

Statistics

 

Partnerships

 

Site map

Links

Contacts


Search with Google    


A B C D E F G H I J K L M N O P Q R S T U V W X Y Z  Others 
Titles and names in bold print contain more complete information
Yuri MAMIN
Юрий МАМИН
Youri MAMINE
 
USSR, 1988, 104 mn 
Colour, fiction

The fountain

▪ ▪ ▪ ▪ ▪ ▪ ▪

Фонтан

 

 Délit de fuites

 Fontan


 
Directed by : Yuri MAMIN (Юрий МАМИН)
Writing credits : Vladimir VARDUNAS (Владимир ВАРДУНАС)
 
Cast
Nijole ADOMENAITE (Нийоле АДОМЕНАЙТЕ)
Liubov ARKUS (Любовь АРКУС)
Aleksandr BASHIROV (Александр БАШИРОВ)
Sergey DONTSOV (Сергей ДОНЦОВ)
Anatoli KALMYKOV (Анатолий КАЛМЫКОВ)
Zhanna KERIMTAYEVA (Жанна КЕРИМТАЕВА)
Asankul KUTUBAYEV (Асанкул КУТТУБАЕВ)
Yuri MAMIN (Юрий МАМИН)
Valentin MASLOV (Валентин МАСЛОВ)
Viktor MIKHAILOV (Виктор МИХАЙЛОВ)
Valery MIRONOV (Валерий МИРОНОВ)
Lyudmila SAMOKHVALOVA (Людмила САМОХВАЛОВА)
Nikolay TRANKOV (Николай ТРАНКОВ)
Nina USATOVA (Нина УСАТОВА)
Aleksey ZALIVALOV (Алексей ЗАЛИВАЛОВ)
 
Cinematography : Anatoli LAPSHOV (Анатолий ЛАПШОВ)
Production design : Yuri PUGACH (Юрий ПУГАЧ)
Music : Aleksey ZALIVALOV (Алексей ЗАЛИВАЛОВ)
Production : Lenfilm
 

Plot synopsis
A regular apartment building with its tenants, household members, and kindly morons from the Housing Maintenance Office lives its regular life, — until a hot water fountain gushes out in the yard (due to a heat supply system accident)...
The film was awarded the Grand Prix of the International Film Festival in Las Vegas, USA (1990) and the “Silver Fishnet” Prize of the 1st Comedy Film Festival in Torremolinos, Spain (1990).
Source : www.lenfilm.ru
 

Commentaries and bibliography
 
A timeless, biting satire of perestroika, that centres on a number of highly peculiar characters and their increasingly absurd life in an apartment building that is rapidly falling apart. The roof caves in and the residents, having failed to solicit any official support, are forced to hold it up with Communist placards and their own shoulders while being fed vodka for their efforts. Capturing the horrors of everyday life, Mamin’s ridiculous, grotesque, beautiful film is a celebration of communal spirit struggling against absurd disaster.
www.russianresurrection.com

<..> Fountain is more whimsical, satirical, and humorous, and towards its final minutes it even gets downright surreal. It is about the people who live in a housing complex where the elevator doesn't work, there are cracks in the supporting walls, and the roof is about to cave in.
Chief Engineer Lagutin is the one who has to deal with all of this, plus face the political pressures from community politicians, who have their own version of reality. That's not all: Lagutin's Muslim father-in-law arrives to visit from the desert. He doesn't speak any Russian, and so everyone ends up yelling at him to communicate. Lagutin gives his father-in-law a job as the building's plumber -- which turns out to be a big mistake, since Lagutin's father-in-law has spent a lifetime conserving every drop of water while surviving in the desert.
Various other wacky and bizarre characters inhabit the building, like the musician who finds his artistic inspiration by donning aviator's gloves and goggles and jumping off the roof held by a guide wire. There's another fellow who sells tulips on the black-market and grows them in his apartment, filling every nook and cranny. The building and its occupants soon begin resembling an asylum community, and one person even exclaims at one point, "I can't live in this madhouse anymore!"
It is very easy to see the crumbling building as a metaphor for Soviet society and to Westerners it helps drive home just how daunting a task Mikhail Gorbachev and other Soviet leaders face today in addressing the situation. At one point, the building manager nihilistically tells Lagutin that the system "all rotted away years ago" and would have collapsed except for the "stupid heroism" of idealistic young workers like Lagutin. This amounts to a wholesale indictment of 70 years of Soviet history and casts deep doubt on the possibilities of success -- and even relevance -- of perestroika. <…>
MANAVENDRA K. THAKUR, http://tech.mit.edu/

Selected in the following festivals :
- Festival Rivages-Russie-Evénements, Paris (France), 2015
- Moscow International Film Festival (MIFF), Moscow (Russia), 2011
- Moscow, St-Petersburg : two faces of Russia, Paris (France), 2010
- Russian Resurrection Film Festival, Different cities (Australia), 2009
- Nantes Russian Film Festival, Nantes (France), 2005
- Window to Europe Film Festival, Vyborg, Vyborg (Russia), 2003
- "NIKA" Prizes, Moscow (Russia), 1989


Your remarks