Kinoglaz

 

Diary of events

- Stop Press

On current release

Festivals

 

Films

DVDs

- Watch on line

Names

Articles

Production

History

Seminars


Bibliography


Ongoing events

 

Awards

Box office

 

Statistics

 

Partnerships

 

Site map

Links

Contacts


Search with Google    


A B C D E F G H I J K L M N O P Q R S T U V W X Y Z  Others 
Titles and names in bold print contain more complete information
Esfir SHUB
Эсфирь ШУБ
Esfir CHOUB
 
USSR, 1932, 55 mn 
Black and white, speaking, documentary

Komsomol: Patron of Electrification

▪ ▪ ▪ ▪ ▪ ▪ ▪

КШЭ / Комсомол – шеф электрификации

 

 Komsomol - le champion de l'électrification

 KSHE / Komsomolya - shef elektrifikatsii


 
Directed by : Esfir SHUB (Эсфирь ШУБ)
Writing credits : Esfir SHUB (Эсфирь ШУБ)
Music : Gavriil POPOV (Гавриил ПОПОВ)
Editing : Esfir SHUB (Эсфирь ШУБ)
Production : Mosfilm
 

Plot synopsis
In this pioneering documentary, one of the earliest Soviet sound films, Shub shot a contemporary chronicle of the progress of establishing electricity across the Soviet nation, a struggle spearheaded by the Komsomol (the Young Communist League).
 

Commentaries and bibliography
 
<...>Direct sound recording and dubbed sound were combined with the symphonic music Popov scored for the film. The opening sequence - an "overture" that corresponds to the first movement of Popov's Suite - takes place in a studio where a musical performance is seen being recorded. Appropriately, the performance features a theremin, an electronic instrument invented in Russia in the 1920s. In his score, Popov offset the unusual sound of the electric theremin with human voices of soprano and tenor.
Popov's music attracted attention. Though it occupied a modest amount of time in the film, the score was viewed as a significant factor in its artistic impact. After seeing KShE, Sergei Eisenstein fired off a telegram to the composer, congratulating him on the "marvelous sound-sight victory."
Source : www.laphil.com


Your remarks